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Mike jarosz was the former 2nd chair for the maynard ferguson big bop noveau band. mike jarosz toured with maynard ferguson from january to february 2003. currently mike jarosz has his own band called all about me. mike jarosz also freelances as a performer in the philadelphia area. mike jarosz also has performed on stage with many other pop artist such as ll cool j. mike jarosz got the opportunity to travel to texas with ll cool j and perform for the essence festival at the football stadium in houston, tx. a dream of mikes would to be in the trumpet section for wayne bergeron or wayne bergeron and his big band. wayne bergeron has a band the mike jarosz would love to perform with there are many other bands that mike jarosz would like to perform with. wayne bergeron is one of those bands. the trumpets for wayne bergeron are very good. wayne bergeron could quite possibly be the next maynard ferguson. wayne bergeron has the ability to reproduce the sound of maynard ferguson as well as be the showman that maynard ferguson was. obviously, there would never be a replacement to maynard ferguson, however wayne bergeron would be a close second. there are many trumpets out there, but wayne bergerons yamaha trumpets play very well. there are many other trumpets out there as well. none of them seem to play as well as wayne bergerons. i dont know what it is about it, but wayne bergerons trumpets are great.

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EMBOUCHURE Lip Formation: This area of trumpet playing is very detailed. Playing is easiest when your lips are formed closest to the way they are naturally in a rested position. Close your mouth or say the letter 'M'. If we could play this way without altering this ‘set’, trumpet playing would be extremely easy. It is this easy for some and not for others. Who is it easy for? The strongest, most efficient and effortless lead players have thin lips with little red tissue showing. Trumpet players with less red area in contact with the mouthpiece have it easier than those with more red in contact with the mouthpiece. White lip tissue has eight layers of skin and red has three layers. So red tissue gets damaged and fatiged quicker than white. So after you form your 'M' setting, roll your lips on to your teeth. Grip them on slightly so you can feel just a bit of your lips (behind your teeth) with your tongue. The idea is to hide as much of the red as possible. This might be a change at first. You might sound really horrible. But if you can take the time to get used to playing this way, you will be a stronger and it will take less effort to play in the long run. The Buzz: Once the lips are formed, practice getting a solid clean buzz. Feel like you are spitting a watermelon seed through your lips. Once you can buzz a note, work on varying the pitch. Try a scale. Then try some other exercises like a Clark study. There are many concepts on buzzing. Some people say that we buzz while playing and others say we don't. I personally use the buzz to ensure a proper formation of the lips. It also strenghtnens the corners. A good exercise to practice is buzzing on the lips and slowing bringing the trumpet on to your chops. See if you can transition from a buzz to a clean big trumpet sound. Corners: Try to keep your corners tight all the time while playing. Not just in the upper register. However, I do tighten mine more for higher notes. Flubbing: Just like athletes shake a muscle to warm it up or get the blood to start flowing again, we need to do the same with our chop muscles. When they get tired, they fill with lactic acid and become fatigued. 'Shaking them out' or flubbing can reduce the amount of lactic acid and get the blood to circulate again. Start by trying to imatate a horse. Totally relax your cheek muscles and blow up your cheeks until they start vibrating or flubbing. Slowing focus the 'flub inward until only the lips are flubbing. I do amount 3 minutes of flubbing every morning to wake up them muscles. I also do it during performances when I feel my chops getting tired. WARM UP Chops & Air Each morning, I do about 3 minutes of flubbing to loosen up the muscles and to get the blood to circulate through my lips. Then I do the wedge breathing about 10 times, or until I feel that my air is working properly. Once I feel loose and the breathing feels good, I do about a few minutes of mouthpiece buzzing - Just a few scales to get a sound happening. Stamp Checkowicz Clark Finger Flexibility BREATHING FASTER AIR = HIGHER NOTES SLOWER AIR = LOWER NOTES The Wedge Breath Step ONE: Standing up straight, push your stomach out as far as possible while taking in 10% of your total air capacity. (Don't take in more than 10%, you will need 80% for the third step) Step TWO: Pull your stomach in and up (forming the 'wedge') while taking in another 10% of air and tighten your abdominal muscles. Keep your abdomen muscles as tight as possible. The muscles should feel firm, as if you were going to absord a punch to the gut. Step THREE: While keeping your abs tight, you will need to do two things simultaneously; raise your shoulders as high as possible while taking in the remaining 80% of air. For example, when you hit 50% intake, your shoulders should be halfway up and when you hit 100% air capacity they should be all the way up (towards your ears). Raising the shoulders expands the ribcage to allow the maximum amount of air intake possible. Step FOUR: Immediately after step three, drop your shoulders all the way down to a relaxed position (this creates the compression) and exhale. Let your tongue start the explosion of air. The point here is to turn your body into a human air compressor. By lifting your shoulders high, opening up your rib cage allows for more air intake. Once you are full of air, bringing the shoulders down compresses the air. A good exercise to practice is to pretend blowing out a cake full of birthday candles. Repeat the wedge breath until it becomes a habit. And when you apply it to the horn start on a C in the staff and hold it out as long as possible. Time yourself, try to hold it out for a minute. Practice these lips slurs. Start by slowing exhaling into the horn and speeding up the air and tighten your abs as you go higher. If you can get up to high C only using air and abs (not chops and without feeling fatigued) then continue the excercise by adding a note each time. See how high you can get. After you can do these slurs comfortably, move onto other lip slurs.

Jazz trumpet quintet. Jazz trumpet quintet as ‘project’ since there is no name currently for this ensemble. My plans for this project are the following and will be discussed in detail throughout this business plan: Contract personnel to rehearse songs and discuss the project Organize song selections, forms and arrangements Contract a recording session Develop press materials Mass produce a final version of the CD Perform concerts, and clinics for a wide variety of educational institutions, conventions and festivals. I am a graduate of Philadelphia’s most prestigious performing arts school, The University of The Arts. I graduated with a Bachelor’s and Master’s degree of Music, specializing in trumpet performance. My friend and business partner, Matt Gallagher also graduated from The University of The Arts with a Master’s degree of Music.